Climate change is an urgent and multifaceted challenge facing all of society.
Harvard faculty teach an expanding array of courses examining the many dimensions of this shared challenge. Explore courses in climate and sustainability ranging from economics and English to public health and climate science.
HARVARD UNIVERSITY
THE SALATA INSTITUTE FOR CLIMATE AND SUSTAINABILITY
This course will examine major issues of water resources (i.e. water sources, supply, quality, treatment, use, distribution and storage, policy) in the developing world at various geographic locations and scales.
This winter session travel course will introduce students to the intersections of climate change, air quality and health for populations in the Eastern Mediterranean region. Students will apply epidemiological tools to examine environmental exposures and health vulnerabilities that are unique to this region.
The purpose of this course is to provide cognitive and heuristic tools to public health practitioners to be well prepared to plan for, respond to, recover from, and mitigate the impact of health disasters precipitated by a variety of threats.
This class will explore art that attempts to respond to the complexities of global climate change. We are living in a moment where the reality of massive, human-made global climate change has become unavoidable. While fires burn in California and coastlines disappear there have been calls for art that explores and imagines the present and oncoming disaster, with critics such as Amitav Ghosh ask “where is the fiction about climate change?” At the same time, many argue that we already have fiction, art, and poetry about climate change, while others wonder whether art about climate is even important in the face of crisis. Throughout the class we will be asking questions about representation and imagination: How do we describe a climate in flux? The negative effects of climate change are inflicted unevenly. How do people create narratives about environmental loss and the injustice of this loss? Is “Cli-Fi” a genre and if it is what does it look like? What does it mean to imagine the end of humanity or the end of the world, or, as importantly, what does it mean to imagine a future within or after crisis?
The purpose of this course is to introduce students to the complexities of and best practices for community engaged/action research and collaboration. Students will integrate skills and knowledge from their environmental health training to address community interests/needs.
This seminar examines U.S. climate and energy policy from both economic and technological perspectives. The seminar stArts with a review of the U.S. energy sector, climate science, and climate economics and policy tools. The seminar then dives into current policy issues, including power sector decarbonization policies, expediting the transition to electric vehicles, the movement by businesses to set net zero targets, the impact of climate change and the energy transition on marginalized communities, the politics of the energy transition, and the role of personal actions. The target audience is students who are committed to making a difference in how the US and the world tackles the challenge of climate change: through policy, through effecting social and political change around climate change, or through inventing or bringing to market the technological breakthroughs that will facilitate the necessary green energy transition.
This course examines the social and political determinants of health, focusing on historic and ongoing systems of structural discrimination and exclusion which harm health and threaten health equity. It is intended to be an introductory course and will use examples from both the United States and a number of other countries/regions to explore how power and politics shape health and health equity.
This studio will explore the histories and future possibilities for the forests of Geneva, Switzerland. Building on the findings of last spring’s research seminar “Cultivating Shade: Policy, Planning, Design, and Activism for Geneva’s Urban Forest,” the studio will explore Geneva's forests at the urban, cantonal, and regional scales.
Outfitting Architecture imagines building assemblies like clothing—something you can layer, unzip, or throw on depending on the weather, your mood, or how many people are coming for dinner.This option studio challenges dominant understandings of comfort in architecture, proposing a layered, climate-responsive design methodology that bridges social, thermal, and material entanglements within the apartment buildings and arcades of Athens. The studio investigates how architecture—like clothing—can be rethought as an adaptable, soft system able to evolve for shifting climates and forms of inhabitation.
Aqua Incognita aims to decipher an array of design-visions capable of advancing extreme climate resilience in the water-stressed region of Valencia, SP. Spain’s original breadbasket, but growing unsustainably, this metropolis of 1.57 million is threatened by critically unbalanced water regimes.
This studio explores how ancestral and spiritual practices might inform new architectural imaginaries. In an age of ecological collapse and cultural erasure, how might we reclaim rituals of rooting, re-anchoring, and sanctuarization as meaningful design tools? What can we learn from practices that imbue ordinary materials with emotional and cosmological value—practices that sustain relationships between the living and the dead, the domestic and the divine, the ground and what lies beneath?
What good is art history in the face of environmental destruction and climate change? How can the close investigation of works of art, produced in times and places far removed from our own, address the vast “failure of collective imagination” that novelist Amitav Ghosh has identified as the core obstacle to our ability to respond ethically and effectively to our non-human co-habitants on earth? This intra-disciplinary seminar intentionally entangles scientific and art historical approaches to real objects in both the art collections of the Harvard Art Museums and the living collections of the Arnold Arboretum. We will focus on how one special class of especially long-lived earthly beings— namely trees—provide living links to distant pasts and futures that no single human can experience, what their persistence can reveal about relationships between other humans and other environments, and what individual case studies can show us about our role as members of a vast embodied network of living beings. During the semester students will have the opportunity to meet with a number of faculty and professionals, including museum curators, conservators, and exhibition designers, as well as the Director of the Arnold Arboretum, its Keeper of Living Collections, and the editor of Arnoldia, the Arboretum’s journal.